shot-headings-time-of-day

Shot Headings: Time of Day

Learn the essential screenplay format rules for shot headings and time of day. Discover when to use DAY and NIGHT and when to use alternatives like MORNING, LATE AFTERNOON, EVENING, MAGIC HOUR, SUNSET, SUNRISE, and DUSK, complete with examples from famous screenplays.

Does your scene take place during the day or night?

The go-to terns are DAY and NIGHT. I recommend you stay with these, but if you’re feeling a bit rebellious, you can color your script with these:

  • MAGIC HOUR
  • SUNSET
  • SUNRISE
  • DUSK

Below, I will find some additional uses outside of DAY and NIGHT.

From Road to Perdition by David Self:

INT. SULLIVAN HOUSE – KITCHEN – MORNING

Sullivan family at breakfast. Sullivan is finishing his coffee, and putting on his jacket.

From Sling Blade by Billy Bob Thornton:

EXT. WOODED AREA – LATE AFTERNOON

Karl and Frank sit on stumps in a little clearing enjoying the spoils of their Ben’s Dollar Store visit.

From The Ghost Writer by Robert Harris and Roman Polanski:

INT. LONDON BOOKSTORE – EVENING

The GHOST re-enters the party, carrying the manuscript. RUTH is on a small platform, holding a microphone. Behind her is a huge photograph of her husband.

William Robert Rich
William Robert Rich

William Robert Rich is the editor of ScreenplayHowTo.com (SHT) and co-author of Story Maps: The Films of Christopher Nolan.

Based in Brooklyn, New York, William's unique approach to narrative analysis fuses his background as a former teacher and a software engineer. He realized that the efficient logic of code and the clear pedagogy of the classroom could be applied directly to screenwriting.

This data-driven approach allows him to rigorously analyze a screenplay's logic and identify structural inconsistencies, forming the foundation of all the high-authority beat sheets and structural insights featured on SHT. He makes the engineering of a great story easy to learn.

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