Screenplay Analysis

Director Curtis Hanson and his co-writer, Brian Helgeland, have taken a massively complex novel by James Ellroy and boiled it down to a no-flab screenplay that still eludes easy synopsis. A mass [...]

At the very beginning of the movie, we see Scottie vaulting across rooftops, struggling to keep up with the policeman ahead of him as he realizes that he is afraid of heights. He is, of course, [...]

Frank Darabont has often compared The Shawshank Redemption to a Rorschach test. Written and executed with exceptional skill, it possesses a power that allows viewers to effortlessly empathize [...]

I wanted everyone, every man, woman or child to realize that they had a choice. I wanted them to know that they have the right to get angry, to get mad. They have the right to say to themselves, [...]

Style and substance. Gladiator is a phenomenal revenge drama that earned the Oscar for Best Picture in 2000 (the original screenwriter, David Franzoni, shared the award with William Nicholson and [...]

It would be wrong to label Risky Business as just another teen sex comedy. It’s much more than the best that genre has to offer. It’s the yin to The Graduate’s yang. It’s [...]

With this one we sort of figured, you know, if things become a little bit too complicated or unclear, it really doesn’t matter. I mean, the plot is kind of not the…and again, this is [...]

Violence drives Drive… Refn creates a fever dream that sucks you in. Or maybe you’ll hate it. Drive is a polarizer. It’s also pure cinema, a grenade of image and sound ready to [...]

It’s rare when twenty-something actors write something so well received, let alone so profitable. Orson Welles did it with Citizen Kane. 1 Peter Fonda did it with Easy Rider. 2 Sylvester [...]

Yippee ki-yay, motherfucker! Yeah, that’s the first thing that comes to mind when someone mentions Die Hard. Well, either that, or a man jumping off an exploding skyscraper roof with a [...]